Sandeep Vanga’s ‘Spirit’: Spirit Is A Collaboration That Is Not Exactly A Collaboration Between Prabhas And Sandeep Reddy Vanga, But A Collision About To Occur. It Embodies The Clash Of Two Film Energies: One Whose Name Carries Pan-Indian Magnitude And The Other Whose Directorial Brand Has Been Established On Hyper-Violent Manic Energy.
Vanga Does Not Simply Film, But He Creates R.A.G.E. (Raw, Aggressive, Grand, Emotional) Experiences. The Drunk Ride In Arjun Reddy And The Notorious College Riot In Animal All Shots Are Planned Cinematic Shots Of Adrenaline. It Is A Filmmaker Who Does Not Consider Cinema And Sound As A Tool, But As An Ultimate Weapon. Anticipate Spirit To Provide Images That Are Not Merely High-Grade But Brutally Aesthetic, Which Is The Trademark That Might Finally Get Prabhas To Unleash The Kind Of Unbridled Raw Power That Its Fans Have Been Craving.
It Is, However, The Background Score That Game-Changer. Vanga World Operates On Music, Which Determines The Disposition Of The Characters. Though The Latest Projects Of Prabhas Have Not Made Much Musical Impact, Vanga Has A Keen Sense Of Sound, As The Creation Of The Music Tends To Precede The Shooting, And This May Turn The Tide.
When He Posted A Teaser Trailer To Spirit, With Prabhas Saying His Devastating One Bad Habit Line With An Epic Score In The Background, It Was Not An Accident; That Was A Mission Statement. It Offers A Catchy, But Thematic, Dark, And Demanding Soundtrack That Can Make A Simple Walk Into An Epochal Entrance.
When The Director Uses The Same Aural Power That Characterized The Tension And Heartbreak Of His Earlier Hits, Spirit Will Not Only Look Good, It Will Sound Memorable. This Is A Powerful Combination, The Towering Figure Of Prabhas Enhanced By Vanga And His Trademark Sound Design, Which Can Possibly Leave The Prabhas Mark Mass Permanently Printed In The Annals.
Execution Is The Only Hurdle. But When Vanga Carries The Fire, The Comeback Made By Prabhas Will Not Be So Much A Revival, But A Bloody Re-Invention.
